Sally Bowles, an American singer in 1930s Berlin, fall in love with bi-sexual Brian. They are both then seduced by Max, a rich playboy. Sally becomes pregnant, and Brian offers to marry her… All the characters are linked by the Kit-Kat club, a nightspot where Sally sings. Written by Colin Tinto {cst@imdb.com}

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The film deals with the situation of British prisoners of war during World War II who are ordered to build a bridge to accommodate the Burma-Siam railway. Their instinct is to sabotage the bridge but, under the leadership of Colonel Nicholson (Alec Guinness), they are persuaded that the bridge should be constructed as a symbol of British morale, spirit and dignity in adverse circumstances. At first, the prisoners admire Nicholson when he bravely endures torture rather than compromise his principles for the benefit of the Japanese commandant Saito (Sessue Hayakawa). He is an honorable but arrogant man, who is slowly revealed to be a deluded obsessive. He convinces himself that the bridge is a monument to British character, but actually is a monument to himself, and his insistence on its construction becomes a subtle form of collaboration with the enemy. Unknown to him, the Allies have sent a mission into the jungle, led by Warden (Jack Hawkins) and an American, Shears (William Holden), to blow up the bridge. Written by alfiehitchie

Mr. Bean enters a church raffle and wins a vacation trip to France as well as a camcorder. After boarding a Eurostar train and arriving in Paris, the French language proves a barrier for Bean, as he struggles to get across the city to catch a train to the south of France from the Gare de Lyon. Taking time to order a meal, he finds the consumption of a seafood platter to be a challenge. Just before catching his train, he asks Emil, a Russian film director on his way to be a judge at the Cannes Film festival to use his camcorder to record his boarding, but accidentally causes Emil being left behind at the station. Bean attempts to cheer up the director’s son Stepan as the train continues south but matters are made more hectic by the fact that Emil has reported his son to have been kidnapped and Bean losing his wallet and essential travel documents at a pay phone where he and Stepan attempt to contact Emil. Heading in the direction of Cannes, Bean finds himself in the cast and disrupting the flow of a commercial being shot by the egotistical director Carson Clay. He and Stepan finally hitch a ride with the young and vivacious actress Sabine who is heading to Cannes to attend the premiere of Clay’s film, in which she appears. After Bean sneaks into the showing, his camcorder images are destined to enliven the proceedings. Written by Brian Greenhalgh

Read the synopsis of “Rent” and ‘sexy, spectacular, and one of the best movies of 2005’ may not be the words that immediately come to mind. But don’t make the mistake of judging “Rent” by the few lines used to sum up the film in the movie’s official synopsis. “Rent” can’t be defined in a matter of 25 words or less. There’s so much going on, so much to take in, it requires you to sit back and absorb the experience. And what an experience it is.

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Undercover Agent Malcolm Turner is back and this time he’s out to expose the suspected designer of a deadly computer “worm” that would allow outside forces access to sophistical and critical government intelligence files. But unfortunately, the only way the crafty agent can get next to the worm’s creator, Tom Fuller, is to access the programmer’s Orange County home as the new “nanny” to Fuller and his wife Leah’s children: toddler Andrew and his two older sisters, Carrie and Molly. This means that Malcolm must once again rely on his sure-fire alter ego, the take-no-prisoners Hattie Mae Pierce, a.k.a. “Big Momma,” to bring down the bad guys and prove that a woman’s work is never done! But once undercover, the job proves another tough juggling act for Big Momma as “she” must manage the hectic lives of the three Fuller kids, keep up with their myriad of daily activities, and handle the many household chores, all while secretly trying to dig up information on Tom’s computer virus. Of course, Malcolm’s hardest and most comical task is staying in Big Momma character throughout, which requires the trickiest of physical and vocal transformations, not to mention the ability to think really fast on his pumps. Hilarious situations ensue for “Big Momma” while trying to trap her prey, including, infiltrating a ritzy women’s day spa, leading a bawdy teen cheerleading competition, and surviving a crazy jet ski chase, all while trying to keep “her” wig straight and skirts smooth. Along the way, “Big Momma” also helps bring the fractured Fuller clan back together and, in turn, Malcolm develops a newfound appreciation for his own family, which includes stepson Trent and expectant pregnant wife Sherrie. Malcolm also learns he can strike a successful balance between his work and home responsibilities, without shortchanging either side in the process. Written by Anthony Pereyra {hypersonic91@yahoo.com}

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Romantic comedy set in London in the late 16th century: Young playwright William Shakespeare struggles with his latest work “Romeo and Ethel the Pirate’s Daughter”. A great fan of Shakespeare’s plays is young, wealthy Viola who is about to be married to the cold-hearted Lord Wessex, but constantly dreams of becoming an actress. Women were not allowed to act on stage at that time (female roles were played by men, too), but dressed up as a boy, Viola successfully auditions for the part of Romeo. Soon she and William are caught in a forbidden romance that provides rich inspiration for his play. Written by Armin Ortmann {armin@sfb288.math.tu-berlin.de}

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When not solving murders in Tinseltown, Detective Joe Gavilan and his rookie partner Kasey Calden both moonlight in other fields: Gavilan sells real estate (poorly), and Calden aspires to become an actor (Brando, namely). Assigned to the vicious in-club slaying of a promising young rap act, the two detective delve into the recording industry where they hope to find answers - ideally ones that also come with property buyers or auditions.

Jim West is a guns-a-blazing former Civil War hero. Artemus Gordon is an inventive U.S. Marshal who excels in disguise. When the United States is threatened by psychotic Confederate Arliss Loveless, President Ulysses Grant teams the duo up to bring him to justice. On a hazard-packed train journey from Washington to Utah, West and Gordon must combine their skills to best Loveless and his diabolical machines. Written by Chris Turner {theaten@earthlink.net}

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Taken just at face value, “Pirates of the Caribbean: The Curse of the Black Pearl” has a lot going against it. First, it’s loosely based on a popular Disney theme park ride - and tagging “The Curse of the Black Pearl” after the title doesn’t soften the initial blow. Secondly, it’s a pirate movie and that particular genre hasn’t done very well in the past 10 or so years. And finally, it’s hitting theaters at the same time as every other big effects/action drama seems to have chosen to set upon audiences.

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