The family of Raymond, his wife Val and her brother Billy live in working-class London district. Also in their family is Val and Billy’s mother Janet and grandmother Kath. Billy is a drug addict and Raymond kicks him out of the house, making him live on his own. Raymond is generally a rough and even violent person, and that leads to problems in the life of the family. Written by Gustaf Molin {gustaf.molin@usa.net}

An abused woman (Lopez) discovers that the dream man (Campbell) she married isn’t who she thought he was. She and her daughter try to escape (aided by her previous boyfriend, played by Futterman), but he pursues her relentlessly. Fearing also for the safety of her daughter, she decides that there’s only one way out of the marriage: kill him. Fred Ward has a guest-starring role. Written by Jess {jess.2000@ic24.net}

A descent into Hell is triggered when “Ex-Lord” Donald Brocklebank finds that he must leave Longleigh House for London to find a way to pay for the medical treatments for his wife Nancy. Alone, his over-protected, delusional, adult son, James, fancies himself in charge of the manor house with his terminally ill mother, and barricades the two of them into the house for a series of ever more panicked home treatments, mistakenly protecting her from the arrival of Nurse Mary and any outside help. Written by Bob Lee

An undercover narc dies, the investigation stalls, so the Detroit P.D. brings back Nick Tellis, fired 18-months ago when a stray bullet hits a pregnant woman. Tellis teams with Henry Oak, a friend of the dead narc and an aggressive cop constantly under the scrutiny of internal affairs. They follow leads, informants turn up dead, Nick’s wife is unhappy he’s back on the street, Henry’s protective of the dead cop’s wife. Nick reads and re-reads the case file, broods, watches Oak’s heavy-handed style, sometimes joining in. The brass want to close out the case, Nick and Henry stay on it, and bits of evidence point them to an auto body shop. What actually happened; will Nick ever know? Written by {jhailey@hotmail.com}

The continuing saga of the Corleone crime family tells the story of a young Vito Corleone growing up in Sicily and in 1910s New York; and follows Michael Corleone in the 1950s as he attempts to expand the family business into Las Vegas, Hollywood and Cuba. Written by Keith Loh {loh@sfu.ca}

Based on the novel of the same name. The story of young men growing up facing hard times where they have little going for them. Two opposing groups, the Greasers and the Socs, continually fight against each other and their “turf”. Written by David Landers {dml@gwis.com}

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Two young men are ineffectual individually, but when together become violent criminals. They break into a wealthy farmer’s home only to find that there is nearly no money at the home and murder the entire family to avoid identification. The first part of the film details the search for them, the second, their trial and execution. Taken from the actual events chronicled by Truman Capote in his book. Written by John Vogel {jlvogel@comcast.net}

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Lee Holloway is a smart, quirky woman in her twenties who returns to her hometown in Florida after a brief stay in a mental hospital. In search of relief from herself and her oppressive childhood environment, she starts to date a nerdy friend from high school and takes a job as a secretary in a local law firm, soon developing an obsessive crush on her older boss, Mr. Grey. Through their increasingly bizarre relationship, Lee follows her deepest longings to the heights of masochism and finally to a place of self-affirmation. Written by Sujit R. Varma

Felicity Huffman is absolutely brilliant as a pre-op male to female transsexual forced to take a cross-country road trip with the son she never knew she had in the smart, touching dramedy, “Transamerica.”

A film that’s all about family, “Transamerica” deftly addresses a delicate topic without ever digressing into campiness or making a parody out of the film’s subject matter.

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A young man with a talent for music has begun a career with much promise. He meets an aspiring singer, Apollonia, and finds that talent alone isn’t all that he needs. A complicated tale of his repeating his father’s self destructive behavior, losing Apollonia to another singer (Morris Day), and his coming to grips with his own connection to other people ensues. Written by John Vogel {jlvogel@comcast.net}