In this sequel to the Evil Dead films, a discount-store employee (”Name’s Ash. Housewares.”) is time-warped to a medieval castle beset by monstrous forces. Initially mistaken for an enemy, he is soon revealed as the prophecised savior who can quest for the Necronomicon, a book which can dispel the evil. Unfortunately, he screws up the magic words while collecting the tome, and releases an army of skeletons, led by his own Deadite counterpart. What follows is a thrilling, yet tongue-in-cheek battle between Ash’s 20th Century tactics and the minions of darkness. Written by David Thiel {d-thiel@uiuc.edu}

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Joan Wilder, a mousy romance novelist, receives a treasure map in the mail from her recently murdered brother-in-law. Meanwhile, her sister Elaine is kidnapped in Colombia and the two criminals responsible demand that she travel to Colombia to exchange the map for her sister. Joan does, and quickly becomes lost in the jungle after being waylayed by Zolo, a vicious and corrupt Colombian cop who will stop at nothing to obtain the map. There, she meets an irreverent soldier-of-fortune named Jack Colton who agrees to bring her back to civilization. Together, they embark upon an adventure that could be straight out of Joan’s novels. Written by Denny Gibbons

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Vietnam vet Travis Bickle is 26, a loner in the mean streets of New York City, slipping slowly into isolation and violent misanthropy. In solving his insomnia by driving a yellow cab on the night shift, he grows increasingly disgusted by the low-lifes that hang out at night: “Someday a real rain will come and wash all the scum off the streets.” His touching attempts to woo Betsy, a Senator’s campaign worker, turn sour when he takes her to a porn movie on their first date. He even fails in his attempt to persuade child prostitute Iris to desert her pimp and return to her parents and school. Driven to the edge by powerlessness, he buys four handguns and sets out to assassinate the Senator, heading for the infamy of a ‘lone crazed gunman’… Written by Tim Jones {jonestd@vax.sbu.ac.uk}

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[A Totally Spoiler Free Review] Is “Spider-Man 2” the best movie ever made based on a comic book, as some early reviews have proclaimed? I don’t know, that’s a pretty grand statement and one I don’t feel qualified to assess being a non-comic book type of person. I do know the original “Spider-Man” was incredibly fun, a genuine rollercoaster ride of a movie that set the bar tremendously high, much too high for most movies of this subgenre to live up to. I believe this sequel is a better film, though I didn’t find myself feeling as exhilarated during it as I did while watching the original. But that’s not to say this one has a been-there, done-that quality to it. It doesn’t. This sequel stands on its own and in no way feels like recycled material. And judged on its own, I feel safe in declaring it’s one of the best movies we’ll see in theaters this year.

“Spider-Man 2” is darker, more emotionally intense, and features a more serious storyline than the first movie. While the first film had to spend a good portion of its running time introducing the characters and explaining how Spider-Man came to be, this second film of the series doesn’t carry that burden. We know Peter Parker (Tobey Maguire) was bitten by a radioactive spider, we know Peter loves MJ (Kirsten Dunst) but will not allow himself to be with her, and we know Peter’s best friend, Harry (James Franco) is out to kill Spider-Man because he believes the webslinger murdered his father. All of this was laid out for us by the end of the first “Spider-Man” movie.

In the second film, we’re allowed more of an opportunity to get to know Peter as a person. We feel his torment as he tries to hide his emotions from MJ. We care about him as he’s pulled between doing the responsible thing as Spider-Man and living a normal life free from the pressure of being a hero. ”Spider-Man 2” lets us look further into the psyche of the boy/man who wears the blue and red suit. And while we’re taken on this emotional journey with Peter, we’re also treated to more time with the central figures of the first “Spider-Man” movie and to a few new characters from world of the “Spider-Man” comic books, foremost of which is this film’s villain, Dr. Otto Octavius (Doc Ock for short). This ultra-cool bad guy is the star of the show when it comes to effects - and acting. Very few movie villains can rival Alfred Molina in character as the man with tentacles (special kudos to Raimi for making sure Doc Ock was played by such a first-rate actor). Doc Ock could have been a campy character, but with Molina in charge, he remains a man tormented by the evil he’s unleashed and overwhelmed by tragic circumstances, rather than a two-dimensional antagonist of the film’s hero.

“Spider-Man 2” has a gentler sense of humor, quirky like the original, yet quieter. Sam Raimi throws in a few recognizable faces in cameo roles who generate a fair share of laughs, and even inserts a scene in which Maguire as Spider-Man injures his back (a nod at Maguire’s real-life back problems, which almost kept him out of this sequel). One of my personal favorite scenes featured Hal Sparks in an elevator with the in-costume Spider-Man. Classic.

We got used to watching Spider-Man fly between buildings and leap from incredible heights in the first movie. The effects which worked so well in “Spider-Man” have been tweaked to such a degree in “Spider-Man 2” it’s nearly impossible to distinguish pure computer-generated graphics from scenes involving actors or stuntmen in front of blue screens. Because all of the effects – from speeding trains to giant fiery orbs – are simply incredible, there’s nothing that jolts you out of the movie, no point in the film where you are jarred from believing your eyes. As far as effects-heavy movies go, “Spider-Man 2” is at the head of the pack.

Comparing the two “Spider-Man” movies is like comparing apples and oranges. They are totally different creations. One’s an exuberant burst of energy contained on film and the other’s a toned down, coming-of-age tale set in the world of superheroes and monstrous villains. Though both movies relied heavily on the CGI effects, Raimi did a terrific job in both films of never forgetting the audience needs to connect with the flesh and blood actors. The reason “Spider-Man” and “Spider-Man 2” work is that both keep that focus in the forefront, with the special effects filling in around the actors and not overwhelming them.

Rebecca Murray
Hollywood Movies Guide

King Roland of the planet Druidia is trying to marry his daughter Princess Vespa (Daphne Zuniga) to Prince Valium, but Vespa is kidnapped by the evil race of the Spaceballs. The Spaceballs ask Roland a tremendous ransom: all the air of Druidia (you see, the air of Spaceball had serious pollution problems…). The King decides to offer a generous amount of money to a space rogue, Lone Starr, to persuade him to save Vespa. What follows is the parody of a _LOT_ of famous SF movies. Written by Flavio Rizzardi {spillo@maya.dei.unpid.it}

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Following a ship wreck, a baby is rescued by a clan of Ninja warriors and raised by them as one of their own. But Haru, as he is called, never quite fits in, nor does he manage to make a worthy Ninja. However, the good-natured and persevering Haru, in his own bumbling way, and with some help from Gobei, manages to prove himself to be a winner in the end. Written by Jeff Hole {jeffhole@aol.com}

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Go see this movie. Don’t even bother to finish reading this review. I won’t be insulted. Turn off your computer, pack up the family, and fork over the money to see this extravaganza now. Don’t wait for it on DVD. It won’t be the same, no matter the size of your TV or the power of your surround sound system. “King Kong” needs to be seen on the big screen where you can immerse yourself in Peter Jackson’s brilliance.

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Taken just at face value, “Pirates of the Caribbean: The Curse of the Black Pearl” has a lot going against it. First, it’s loosely based on a popular Disney theme park ride - and tagging “The Curse of the Black Pearl” after the title doesn’t soften the initial blow. Secondly, it’s a pirate movie and that particular genre hasn’t done very well in the past 10 or so years. And finally, it’s hitting theaters at the same time as every other big effects/action drama seems to have chosen to set upon audiences.

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