Set in the 10th Century, a man (Bowen) teams up with the last dragon to remind the people of a long lost code of honor, and inspire them to fight for their freedom from a tyrannical king. Written by Rob Meyer {rob.meyer@csus.edu}

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While traveling on vacation through the country of Northeastern of Brazil by bus, the American Alex Trubituan, his sister Bea Tribituan and their friend Amy Harrington meet the also foreigners Pru Stagler, Finn Davies and Liam Kuller after an accident with their bus. They follow a track through the woods and find a hidden paradisiacal beach. They decide to stay in the place drinking beer and dancing funk and parting with the locals and they meet the amicable Brazilian teenager Kiko. They are drugged with “Bom Dia, Cinderela” (translation: Good Morning, Cinderella - a trick used by smalltime crooks to steal naive people) and when they wake up, they are practically naked, with all their belongings, clothes, money, jewels, passports, backpacks etc. stolen. They walk to a small village trying to find a police station, they get into trouble with the dwellers and they are helped by their acquaintance Kiko, who leads them to his uncle’s isolated well-equipped cabin in the woods to wait for the next bus two days later. Along the night, Kiko’s “uncle” arrives with his friends and the group discloses the sinister intentions of the newcomers. Written by Claudio Carvalho, Rio de Janeiro, Brazil

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This film charts the rise and fall of Yuri Orlov, from his early days in the early 1980s in Little Odessa, selling guns to mobsters in his local neighbourhood, through to his ascension through the decade of excess and indulgence into the early 90s, where he forms a business partnership with an African warlord and his psychotic son. The film also charts his relationship through the years with his younger brother, his marriage to a famous model, his relentless pursuit by a determined federal agent and his inner demons that sway between his drive for success and the immorality of what he does. Written by davidgraham83@hotmail.co.uk

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Pick your own tagline for this one. My suggestions: “Beyond Boredom” or “Beyond Belief” or “Why Isn’t There Anything Entertaining About This Movie?” or “Clive Owen is Great But…” or “A Love Story Without Chemistry.” I could go on and on.

What starts out with an interesting premise quickly deteriorates into a cockeyed political statement. If you support the humanitarian work prominently featured in “Beyond Borders,” you’ll be disappointed in how Hollywood has taken an important program and screwed around with its basic mission statement.

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Lemony Snicket narra las peripecias de los pequeños Baudelaire, que recien han quedado huerfanos tras ser quemada su elegante mansion, herederos de una gran fortuna, de pronto sus vidas se ven envueltas en grave peligro debido a la codicia del Conde Olaf, quien intenta por todos los medios, quedarse con la jugosa herencia. Asi los niños pasan a caer bajo la custodia de excentricos parientes que van siendo eliminados por el malvado Conde Olaf, que termina siendo desenmascarado tras el fallido intento de casarse con la pequeña Violet. (Lemony Snicket narrates the incidents of small children Baudelaire that newly have been orphan after being burnt its elegant mansion, heirs of a great fortune, suddenly its lives are wrapped in serious danger due to the Count’s greed who attempts by all possible means, to keep the great inheritance. The children pass this way to fall under the custody of kindred eccentrics relatives who are being eliminated by the evil Count Olaf that finishes being exposed after the bankrupt intent of marrying small Violet.) Written by ruvarjoel

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