In Sydney, Tracey Heart is a thirty-two years old manager of a video shop ex-addicted in heroin and clean for four years. She is trying to raise forty thousand dollars to buy a shop for computer games on the next door of the rental and become partner of her boss, but based on her negative records, the banks deny the loan. Tracey takes care of her junkie stepfather Lionel Dawson, unsuccessfully trying to make him quit his heroin habit. When her former boy-friend Jonny returns from Vancouver, Tracey’s mother Janelle fears a fall of Tracey, while she blames Jonny for the car accident where her son Ray lost one leg. When Ray and Jonny associate to Moss, the assistant of the retired criminal boss Bradley ‘The Jockey’ Thompson, in drug dealing, Tracey is convinced by Jonny to join them and raise the necessary money for her business along the weekend. Written by Claudio Carvalho, Rio de Janeiro, Brazil

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Pick your own tagline for this one. My suggestions: “Beyond Boredom” or “Beyond Belief” or “Why Isn’t There Anything Entertaining About This Movie?” or “Clive Owen is Great But…” or “A Love Story Without Chemistry.” I could go on and on.

What starts out with an interesting premise quickly deteriorates into a cockeyed political statement. If you support the humanitarian work prominently featured in “Beyond Borders,” you’ll be disappointed in how Hollywood has taken an important program and screwed around with its basic mission statement.

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I hate critics who include “I hate to admit this” as part of their reviews, but unfortunately I must join their ranks. Maybe I’ve used the line before and blocked it from my memory. If so, then I apologize. I watched the “Eurotrip” trailer, said ‘whatever,’ and went to the movie expecting a gross-out, raunchy teen-ish ‘R’-rated comedy with a few actual jokes that hit their marks surrounded by needless shots of naked female bodies. That’s what I expected but it’s not what “Eurotrip” delivered.

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A comedy-drama about best friends - one a straight woman, Abbie (Madonna), the other a gay man, Robert (Rupert Everett) - who decide to have a child together. Five years later, Abbie falls in love with a straight man and wants to move away with her and Robert’s little boy Sam, and a nasty custody battle ensues. Written by TexGuy {madonnafan@webtv.net}

A former L.A. drug dealer (Thomas Jane) has moved to Houston to make a new life for himself as a married architect. Everything falls apart when he is suddenly visited by one of his former cohorts (Aaron Eckhart) who comes carrying heroin. Discovering the dope, the architect flushes it down the drain. This sets up a series of tough customers seeking the dope including a Rasta hit-man (Glenn Plummer), an ex-lover Dallas (Paulina Porizkova) who ties him up and rapes him, a criminal called James (James LeGros) with a penchant for torture, and a rogue cop (Mickey Rourke). Michael Jeter also appears as a psychologist from an adoption agency where the couple is seeking to adopt a child. Written by John Sacksteder {jsackste@bellsouth.net}

Three fraternal bank robbers languishing in jail, discover a profitable (if not dodgy) way to spend their time. Crime can most certainly pay, if you “know wot I mean?” However when sex and greed rear-up between the good crims and the bad cops, the consequences are both bizarre and fatal. Written by Noel C. Bailey {uds3@hotmail.com}

Ken Park focuses on several teenagers and their tormented home lives. Shawn seems to be the most conventional. Tate is brimming with psychotic rage; Claude is habitually harassed by his brutish father and coddled, rather uncomfortably, by his enormously pregnant mother. Peaches looks after her devoutly religious father, but yearns for freedom. They’re all rather tight, or so they claim. But they spend precious little time together and none of them seems to know much about one another’s family lives. This bizarre dichotomy underscores their alienation # the result of suburban ennui, a teenager’s inherent sense of melodrama, and the disturbing nature of their home environments. Written by Bubba

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The narrator suffers from a lack of sleep. He tries different ways to cure this, but he does not succeed. He does get some sleep, but his conditions rebounds back into it’s original state when he meets a lovely young woman, whose name is Marla. He finds out that she and he both have a lot in common and they spend a lot of time together. While touring, he meets an enigmatic young man named Tyler and after a short conversation both become fast friends. Both like to relieve their inner tensions by hitting each other. Soon word gets around about their fights, and lots of young people also get interested. Then a club is formed, which the narrator and Tyler call ‘Fight Club‘. Both start spending a lot of time and both also make lots of money. Then one day the narrator finds out that Tyler has been using him. Written by Sumtira (Corrected by Calista)

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A “lone wolf” U.S. government secret agent, Scott( Kilmer), is assigned the task of rescuing the kidnapped daughter (Bell) of a high ranking government figure, only to discover along the way a larger, more sinister plot. Written by austin4577@aol.com

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Since a road accident left him with serious facial and bodily scarring, a former TV scientist has become obsessed by the marriage of motor-car technology with what he sees as the raw sexuality of car-crash victims. The scientist, along with a crash victim he has recently befriended, sets about performing a series of sexual acts in a variety of motor vehicles, either with other crash victims or with prostitutes whom they contort into the shape of trapped corpses. Ultimately, the scientist craves a suicidal union of blood, semen, and engine coolant, a union with which he becomes dangerously obsessed. Written by Matt A. Knapp {mak8@le.ac.uk}

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