Sherry Swanson returns home to New Jersey after serving a three year prison sentence. Eager to reestablish a relationship with her young daughter, Sherry soon discovers that coming back to the world she left behind is far more difficult than she had planned. Written by Anonymous

A political satire set in Turaqistan, a country occupied by an American private corporation run by a former US Vice-President (Aykroyd). In an effort to monopolize the opportunities the war-torn nation offers, the corporation’s CEO hires a troubled hit man (Cusack), to kill a Middle East oil minister. Now, struggling with his own growing demons, the assassin must pose as the corporation’s Trade Show Producer in order to pull off this latest hit, while maintaining his cover by organizing the high-profile wedding of Yonica Babyyeah (Duff) an outrageous Middle Eastern pop star, and keeping a sexy left wing reporter (Tomei) in check. Written by fmmini

Her goldfish dead, her lover exposed as a rat, Shawn Holloway leaves her bank post and goes to the roof intent on suicide. Before she can leap, she’s taken hostage by Charlie Anders, a fleeing bank robber. He and his partners have stolen a million in cash and plan to escape to Venezuela. Shawn agrees to cooperate if Charlie promises to kill her once he’s in the clear. Parts of the plan go awry, so Charlie has time to try to pierce her bleak manner and self pity, and she has time for reflection. As night falls, their interlude ends: they’re each alone, Charlie facing prison as the police close in, and Shawn staring down at a river from atop a high bridge. Written by {jhailey@hotmail.com}

A day in the life of a group of troubled 15-year-olds growing up in west London.

This drama centers on Hank Chinaski, the fictional alter-ego of “Factotum” author Charles Bukowski, who wanders around Los Angeles, CA trying to live off jobs which don’t interfere with his primary interest, which is writing. Along the way, he fends off the distractions offered by women, drinking and gambling.

THE MACHINIST is the story of TREVOR REZNIK, a lathe-operator who is dying of insomnia. In a machine shop, occupational hazards are bad enough under normal circumstances; yet for Trevor the risks are compounded by fatigue. Trevor has lost the ability to sleep. This is no ordinary insomnia… Written by Anonymous

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What sounds like an excellent set-up for a movie turns out to be just another run of the mill, disappointingly mediocre comedy. Directed by Marc Forster (Finding Neverland, Stay) and starring Will Ferrell, Emma Thompson and Dustin Hoffman, Stranger Than Fiction takes the idea of a man facing his impending death at the whim of a British writer and instead of running with it, casually swaggers to a predictable finish.

Six incarnations of Bob Dylan: an actor, a folk singer, an electrified troubadour, Rimbaud, Billy the Kid, and Woody Guthrie. Put Dylan’s music behind their adventures, soliloquies, interviews, marriage, and infidelity. Recreate 1960s documentaries in black and white. Put each at a crossroads, the artist becoming someone else. Jack, the son of Ramblin’ Jack Elliott, finds Jesus; handsome Robbie falls in love then abandons Claire. Woody, a lad escaped from foster care, hobos the U.S. singing; Billy awakes in a valley threatened by a six-lane highway; Rimbaud talks. Jude, booed at Newport when he goes electric, fences with reporters, pundits, and fans. He won’t be classified. Written by {jhailey@hotmail.com}

A man in a suit at a Manhattan firm leaves work on Friday; he looks unhappy. He stops at a fortune teller’s for a Tarot reading: “You are not where you belong,” she tells him. That evening he quits his marriage and walks the streets of New York, passing from a classy bar to a gentleman’s club, then to a high-class bordello, a mugging, a pawnshop, and a diner where someone does listen. He shares his insights with her and later with others. Violence, disappointment, and musings entwine as Edmond loses his moorings while believing he’s found them. Where does he belong? Written by {jhailey@hotmail.com}

Nicolas Cage, Sam Rockwell and director Ridley Scott team up for the first time and the result is one of 2003’s most entertaining movies. “Matchstick Men” is a fast-paced comedy/drama with a snappy script full of well-disguised plot twists. You don’t know where the story’s going, but you do know you want to go along for the ride. It’s refreshing to be able to sit through an entire movie where the plot isn’t telegraphed ahead of time.

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