During the Great Depression, a common-man hero, James J. Braddock–a.k.a. the Cinderella Man–was to become one of the most surprising sports legends in history. By the early 1930s, the impoverished ex-prizefighter was seemingly as broken-down, beaten-up and out-of-luck as much of the rest of the American populace who had hit rock bottom. His career appeared to be finished, he was unable to pay the bills, the only thing that mattered to him–his family–was in danger, and he was even forced to go on Public Relief. But deep inside, Jim Braddock never relinquished his determination. Driven by love, honor and an incredible dose of grit, he willed an impossible dream to come true. In a last-chance bid to help his family, Braddock returned to the ring. No one thought he had a shot. However Braddock, fueled by something beyond mere competition, kept winning. Suddenly, the ordinary working man became the mythic athlete. Carrying the hopes and dreams of the disenfranchised on his shoulders, Braddock rocketed through the ranks, until this underdog chose to do the unthinkable: take on the heavyweight champ of the world, the unstoppable Max Baer, renowned for having killed two men in the ring. Written by Sujit R. Varma

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Remember six months ago when that first shaky cam trailer for an untitled JJ Abrams production hit theaters in front of Transformers and then, shortly after, the internet? The buzz was deafening. That first quick teaser trailer opened with a bunch of people at a party and then ended with the Statue of Liberty’s head in the middle of a New York street. That teaser generated an immense amount of interest and a lot of head-scratching. No title, no director, just the release date… What the heck was this thing JJ Abrams created and why the secrecy surrounding even the movie’s title?

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Bud Baxter is a struggling clerk in a huge New York insurance company. He’s discovered a quick way to climb the corporate ladder - by lending out his apartment to the executives as a place to take their mistresses. He often has to deal with the aftermath of their visits and one night he’s left with a major problem to solve. Written by Col Needham {col@imdb.com}

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A beautiful, wealthy young party girl drops out of Radcliffe in 1965 and heads to New York to become Holly Golightly. When she meets a hungry young artist named Andy Warhol, he promises to make her the star she always wanted to be. And like a super nova she explodes on the New York scene only to find herself slowly lose grip on reality… Written by Richard Golub

When John Eastland’s best friend, Michael Jefferson, is mugged and left permanently crippled, he decides to do something about it. Jefferson had saved Eastland’s life in Vietnam and now it’s time for Eastland to get revenge for his friend. Using his old Army gear he sets out on a crusade to clean up the streets of New York using the name “The Exterminator.” Written by David Bongo {ajgs09b@prodigy.com}

This light-hearted romantic comedy centers tells of love sought, found, lost, and found again, revolving around the lives of two college students in New York City. Sophomore Al Connelly (Freddie Prinze Jr.) meets the girl of his dreams, freshman Imogen (Julia Stiles), and true love abounds. The two engage on a whirlwind courtship–they pick a song, eat a cake together, even make love. But Imogen’s fear of lost youth causes her to push away from Al, and they go their separate ways. Al attempts to rebound from the relationship, determined to forget Imogen, and he goes to desperate measures to do so. The story is told from the points of view of both Al and Imogen. Written by Allison L. Venezio {YankeeSNL01@aol.com}

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Molly Gunn (Murphy), the freewheeling daughter of a deceased rock legend, is forced to get a job when her manager steals her money. As nanny for precocious Ray (Fanning), the oft ignored daughter of a music executive (Locklear) she learns what it means to be an adult while teaching Ray how to be a child. Written by Lindsey

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Two foster brothers (Woody Harrelson and Wesley Snipes) work as transit cops. While one’s life is as good as it gets, the other’s is a pit. After losing his job, getting dumped by his brother, and getting the crap kicked out of him by a loan shark for the umpteenth time, He implements his plan to steal the “money train,” a train carrying the New York Subway’s weekly revenue. But when things go awry, will his brother be able to save him in time? Written by A CIA operative

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Sam Raimi and his co-writers Ivan Raimi and Alvin Sargent apparently adopted the more is better approach with what could be Raimi’s final film of the Spider-Man franchise. The desire to include more villains, more action, and more romance gave birth to a Spider-Man 3 bloated with unfulfilling storylines, underdeveloped characters, and a film that’s literally all over the place. It’s sort of fun, but not the Spider-Man film we’ve come to expect from Raimi and company.

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