A news team is sent to South Africa to capture and bring home a legendary 25-foot crocodile. Their difficult task turns potentially deadly when a warlord targets them for death.

New York cop John McClane, who has been a cop for 11 years, has just arrived in Los Angeles on Christmas Eve. For the past six months, John’s wife Holly and their two kids Lucy McClane and John McClane Jr have been living in Los Angeles without John. In New York, Holly had a good job that turned into a career, and Holly was promoted to a powerful position in the Nakatomi Corporation. The promotion called for Holly to move to Los Angeles to work in the Nakatomi Plaza, a 40 story building. John stayed in New York because he didn’t think Holly would make it out in Los Angeles, and that she would come crawling back to him in New York, so John figured that there was no reason to pack his things for the move to Los Angeles. A limo driver named Argyle drives John to the Nakatomi Plaza, and John heads to the 30th floor, where a Christmas party is going on. John gets into an argument with Holly in the office of her drug-snorting co-worker Harry Ellis because Holly uses her maiden name Gennero instead of the name McClane on her nameplate in her office. Holly leaves the room to give a speech. While John is by himself in the office, John is wishing that the argument hadn’t happened. A few minutes later, a group of German terrorists led by Hans Gruber and his right hand man Karl enter the building and take everyone hostage on the 30th floor. John is able to avoid being taken hostage because Hans and his men don’t even know that John is in the building. John heads to the upper floors, which are still under construction. Hans takes Holly’s boss Joseph Yashinobo Takagi to an office, where Hans demands that Takagi give him the computer code key that will allow Hans and his men to start opening the building’s safe so they can steal the $640,000,000 in negotiable bearer bonds that are in the safe. Takagi refuses to cooperate with Hans, so Hans kills Takagi, and John witnesses it. Hans tells his technology expert Theo to start working on getting the safe opened, and Theo thinks it’ll take a couple of hours to do it. John frantically tries to find a way to alert the LAPD, realizing that the main phone lines in the building have been cut. Once the police do arrive, they prove to be incompetent under the command of arrogant deputy chief Dwayne T. Robinson, so it’s up to John to rescue the hostages. Written by Todd Baldridge

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Hollywood, today: Bobby Bowfinger, a run-down actor-producer-director, is reading a script which a friend has written. Completely convinced of its quality, he decides to take a last shot at fame and fortune. But the script is not that easy to sell, and a famous producer promises him to do it, but there is one condition: Kit Ramsey, Hollywood’s number one star, has to be in it. So, Bobby tries his luck with Kit - who says no - and then decides to shoot the film himself. Together with the cheapest team available in Southern California, an aspiring beauty from Ohio, a diva who is just a little over the hill, a key-holding gofer from a major studio and a goon hired away from burger-flipping, Bobby sets out to shoot the science-fiction-film starring Kit Ramsey - who does not even know he’s being filmed. Written by Julian Reischl {julianreischl@mac.com}

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A weather man is reluctantly sent to cover a story about a weather forecasting “rat” (as he calls it). This is his fourth year on the story, and he makes no effort to hide his frustration. On awaking the ‘following’ day he discovers that it’s Groundhog Day again, and again, and again. First he uses this to his advantage, then comes the realisation that he is doomed to spend the rest of eternity in the same place, seeing the same people do the same thing EVERY day. Written by Rob Hartill

Go see this movie. Don’t even bother to finish reading this review. I won’t be insulted. Turn off your computer, pack up the family, and fork over the money to see this extravaganza now. Don’t wait for it on DVD. It won’t be the same, no matter the size of your TV or the power of your surround sound system. “King Kong” needs to be seen on the big screen where you can immerse yourself in Peter Jackson’s brilliance.

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