We are sent back to the battlefield, as the Federation’s best Mobile Infantry unit are slowly being overpowered by the killer bugs. They are light years from the nearest reinforcements and are trapped on a remote outpost. They set up protection around the post, keeping all the bugs waiting for them to leave. But now the enemy is in the outpost, in a way which they would have never thought of. Written by Film_Fan

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Essentially true story of how Spartan king Leonidas led an extremely small army of Greek Soldiers (300 of them his personal body guards from Sparta) to hold off an invading Persian army more than 20 times as large. The actual heroism of those who stood (and ultimately died) with Leonidas helped shape the course of Western Civilization, allowing the Greek city states time to organize an army which repelled the Persians. Set in 480 BC. Written by Jes Beard {jesbeard@bellsouth.net}

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I’ve heard people refer to “The Notebook” as cheesy, as a ‘chick flick’ (a label very few of my colleagues can stand because of its negative connotation), as predictable and sappy. So “The Notebook” doesn’t exactly take a brain surgeon to guess how the story is going to play out. And it does unapologetically play on your emotions, practically begging you to squeeze out a few tears. But here’s why I enjoyed “The Notebook”: it’s a movie you can relax and let flow over you. It’s also one of the few films out there that tells a complete story. There’s a well-defined beginning, middle, and end.

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British and French troops do battle in colonial America, with aid from various native American war parties. The British troops enlist the help of local colonial militia men, who are reluctant to leave their homes undefended. A budding romance between a British officer’s daughter and an independent man who was reared as a Mohawk complicates things for the British officer, as the adopted Mohawk pursues his own agenda despite the wrath of different people on both sides of the conflict. Written by Ed Sutton {esutton@mindspring.com}

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An intimate story set during the 1860s in which a young Irish woman Sarah (Samantha Morton) and her family find themselves on both sides of the turbulent wars between British and Maori during the British colonisation of New Zealand.

The best thing I can say about “Timeline” is that it’s filled with some of the finest male eye candy on screen (only adding Colin Farrell or Ewan McGregor would have topped the team of Gerard Butler and Paul Walker). Now that’s not to put down the acting ability of Butler or even Walker, it just speaks to the truth of the matter: without something pleasant to look at, I would have lost interest in “Timeline” before the end of the first hour. As it was, Butler and Walker provided enough testosterone to at least keep me from completely tuning out of this sadly unfulfilling screen adaptation of Michael Crichton’s bestseller.

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With an epic-sized budget and featuring some serious eye candy, “Troy” hits theaters with a lot of expectations to live up to, not the least of which is whether or not today’s audience will relate to the story. That issue - the relevance of Homer’s “The Iliad” in today’s world - is addressed pretty much immediately. Boiled down to its basics, “Troy” is a love story immersed in a world of burly men battling to restore their King’s wounded pride while capturing more land for their country to rule, set in a time when the world was run by men who worshiped mythic Gods such as Apollo and Zeus. That’s an easy enough story for contemporary moviegoers to get into. So fear not, if you can’t recall which Greek God is which, you won’t feel lost in the world of “Troy.”

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P.D. James’ novel Children of Men comes alive onscreen (albeit with a couple of major plot changes) via the masterful filmmaking of Alfonso Cuaron (Harry Potter and the Prisoner of Azkaban, Y Tu Mama Tambien). Cuaron skillfully weaves a fascinating story of nightmarish proportions by smoothly mixing high drama, dark humor, and one of the most riveting action sequences in recent history, into the tale of a dystopic society we can only hope is in no way prophetic.

Children of Men envisions a world in which women can no longer give birth. The youngest person on Earth has just died at the age of 18 and the fact that man will soon be extinct is a foregone conclusion. The world is one big war zone and no one feels safe or secure. A totalitarian government is in place in London and people who try to enter the country who aren’t residents are placed in holding pens and treated like cows.Theo (Clive Owen) exists in this world as an ex-activist-turned-bureaucrat. He begins most days by stopping in at a café to pick up his morning cup of coffee. But one particular day is unlike any others. Upon exiting the shop, a bomb goes off. Shortly thereafter, he’s kidnapped and reunited with his ex-lover, Julian (Julianne Moore in a restrained performance), a fearless, furious freedom fighter who needs help only Theo can provide.

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Whatever you’re expecting from “Alexander,” the odds are high you’ll be in for a huge surprise. Oliver Stone’s Alexander the Great story is more about the man himself and his relationships with the men in his life, than it is about Alexander’s conquests and life as a ruler.

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The first rumblings from Touchstone Pictures over “The Alamo” centered around how authentic their 2004 cinematic version would be. Historians were used as technical advisors, insuring the accuracy of the events portrayed on screen. Unfortunately, while the filmmakers were worrying about getting the history right, they forgot they were making a movie that needed to flow narratively and work as entertainment for the masses.

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