William Friedkin’s gritty police drama portrays two tough New York City cops trying to intercept a huge heroin shipment coming from France. An interesting contrast is established between ‘Popeye’ Doyle, a short-tempered alcoholic bigot who is nevertheless a hard-working and dedicated police officer, and his nemesis Alain Charnier, a suave and urbane gentleman who is nevertheless a criminal and one of the largest drug suppliers of pure heroin to North America. During the surveillance and eventual bust, Friedkin provides one of the most gripping and memorable car chase sequences ever filmed. Written by Tad Dibbern {DIBBERN_D@a1.mscf.upenn.edu}

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James Bond’s mission is to find out who has been smuggling diamonds, which are not re-appearing. He adopts another identity in the form of Peter Franks. He joins up with Tiffany Case, and acts as if he is smuggling the diamonds, but everyone is hungry for these diamonds. He also has to avoid Mr. Wint and Mr. Kidd, the dangerous couple who does not leave anyone in their way. Ernst Stavro Blofeld isn’t out of the question. He may have changed his looks, but is he linked with the heist? And if he is, can Bond finally defeat his ultimate enemy. Written by simon

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Men in Black follows the exploits of agents Kay and Jay, members of a top-secret organization established to monitor and police alien activity on Earth. The two Men in Black find themselves in the middle of the deadly plot by an intergalactic terrorist who has arrived on Earth to assassinate two ambassadors from opposing galaxies. In order to prevent worlds from colliding, the MiB must track down the terrorist and prevent the destruction of Earth. It’s just another typical day for the Men in Black. Written by Keyser Soze

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Professional daredevil and white-suited hero, The Great Leslie, convinces turn-of-the-century auto makers that a race from New York to Paris (westward across America, the Bering Straight and Russia) will help to promote automobile sales. Leslie’s arch-rival, the mustached and black-attired Professor Fate vows to beat Leslie to the finish line in a car of Fate’s own invention. The Blake Edwards style of slapstick and song originated with this movie. A dedication to Laurel and Hardy appears at the beginning of the film. Edwards’ tribute to Stan and Ollie can be seen most clearly in the interaction between Professor Fate and his cohort Max, as well as in the operatic Pottsdorf pie fight. Written by Jeanne Baker {jbaker@erim.org}

Strangers from all different walks of life: a limo driver escorting a movie star, parents with a young son, a cop transporting a convict, a prostitute, a young couple, and a motel manager are caught up in a nasty rainstorm, stuck at a motel in desolate Nevada. Soon they realize they may be at the motel for another reason when one by one, people start getting killed off. As tensions flare and fingers are pointed, they have to get to the bottom of why they’re there. Meanwhile in an undisclosed location, a psychiatrist is trying to prove the innocence of a man accused of murder in an eleventh hour trial. How these two through-lines are related can only be found in Identity. Written by mystic80

Elliot Richardson, suicidal techno geek, is given seven wishes to turn his life around when he meets up with a very seductive Satan. The catch: his soul. Some of his wishes include a 7 foot basketball star, a rock star, and a hamburger. But, as could be expected, the Devil must put her own little twist on each his fantasies. Written by MrGreen

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In a world where vampires walk the earth, Blade (Snipes) has a goal. His goal is to rid the world of all vampire evil. When Blade witnesses a vampire bite Dr. Karen Jenson (Wright), he fights away the beast and take Jenson back to his hideout. Here, alongside Abraham Whistler (Kristofferson), Blade attempts to help heal Jenson. The vampire Quinn (Logue) who was attacked by Blade, reports back to his master Deacon Frost (Dorff), who is planning a huge surprise for the human population. Written by Film_Fan

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Special agent Harry Tasker gets out of the water outside a heavily guarded mansion, takes off his wetsuit, and there is a dinner jacket underneath. Harry strolls into a swanky party. Harry meets with Juno Skinner, steals some computer files, and escapes in a blaze of gunfire. He’s picked up by his partner, Albert “Gib” Gibson, and they return to the United States. Harry goes home to his wife Helen. Helen doesn’t know what Harry does because he pretends to be a computer salesman. Their 14-year-old daughter Dana is a sullen teenager, and Helen is so bored by the routine of her life that she’s on the verge of having an affair with used-car salesman Simon, who claims to be a spy. Harry is hot on the trail of a group of terrorists led by Salim Abu Aziz. Aziz and his men are smuggling nuclear weapons into the USA in pieces of Persian art, and Aziz plans to hold the country hostage in the name of the Crimson Jihad. Harry’s also out to save his marriage when he discovers Helen with Simon, who still claims to be a spy. Harry uses the Agency’s resources to give Helen a taste of the real thing. Harry blackmails Helen into seducing an enemy agent — Harry himself — in a hotel room, but their tryst is interrupted by Aziz’s men, who kidnap them and take them to one of the Florida Keys, where they’re preparing to detonate their nuclear bomb. Harry escapes and rescues Helen, and then they discover that Aziz has gone to Miami and kidnapped Dana. Harry uses a harrier jet to get to Miami, where he sets out to rescue Dana. Written by Todd Baldridge

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Since a road accident left him with serious facial and bodily scarring, a former TV scientist has become obsessed by the marriage of motor-car technology with what he sees as the raw sexuality of car-crash victims. The scientist, along with a crash victim he has recently befriended, sets about performing a series of sexual acts in a variety of motor vehicles, either with other crash victims or with prostitutes whom they contort into the shape of trapped corpses. Ultimately, the scientist craves a suicidal union of blood, semen, and engine coolant, a union with which he becomes dangerously obsessed. Written by Matt A. Knapp {mak8@le.ac.uk}

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Kathryn makes a bet that her step-brother, Sebastian, won’t be able to bed Annette (a virgin, who wants to wait until marriage) before the start of the school year. If he loses, Kathryn gets his Roadster, if he wins, he gets Kathryn Written by Scott Stoecker {mrgastruck@yahoo.com}

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