Elvis lives! I knew it all along. No way could The King die on a toilet. It’s much more reasonable to believe he traded places with an impersonator to live out his life in relative obscurity, playing dive bars and Indian casinos, having a grand ol’ time pulling the wool over everyone’s eyes.

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Directed by Mike Newell (Mona Lisa Smile) and adapted from Gabriel Garcia Marquez’ novel by Ronald Harwood (Being Julia), Love in the Time of Cholera is a surprisingly passionless love story. Flitting back and forth between five decades and littered with supporting players who come and go with little explanation, Love in the Time of Cholera takes what appears to be a very simple plot and twists it into a convoluted tale focused on characters that simply aren’t that interesting.

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An actor and would-be screenwriter, who at the very moment of his meeting with Fate, comes to discover that life is random and fortune is sightless. He is thrown into a vortex where time, dreams, and reality collide in an increasingly whirling slipstream. It’s a surreal and dreamlike tale of one man’s journey. Written by Gregg Brilliant

Jackie Brown is the name of a flight attendant who gets caught smuggling her boss’ gun money on the airline she works for. Luckily for her, the Fed Ray Nicolet and the LA Cop Mark Dargus decide to team up in order to arrest the arms dealer she works for, whose name they don’t even know. Here’s when she has to choose one way: tell Nicolet and Dargus about Ordell Robbie (the arms dealer) and get her freedom -except that if Ordell suspects you’re talking about him, you’re dead- or keep her mouth shut and do some time. That’s when she meets Max Cherry -her bail bondsman-, a late fifties, recently separated, burnt-out man, who falls in love with her. Then Jackie comes up with a plan to play the Feds off against Ordell and the guys he works with -Louis Gara and Melanie Ralston, among others- and walk off with their money. But she needs Max’s help. No one is going to stand in the way of his million dollar payoff… Written by Héctor Barca {sandman@arrakis.es}

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I’ve heard people refer to “The Notebook” as cheesy, as a ‘chick flick’ (a label very few of my colleagues can stand because of its negative connotation), as predictable and sappy. So “The Notebook” doesn’t exactly take a brain surgeon to guess how the story is going to play out. And it does unapologetically play on your emotions, practically begging you to squeeze out a few tears. But here’s why I enjoyed “The Notebook”: it’s a movie you can relax and let flow over you. It’s also one of the few films out there that tells a complete story. There’s a well-defined beginning, middle, and end.

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Fiona and Grant are an Ontario couple who have been married for over 40 years. Now, in the oncoming twilight of their years, they are forced to face the fact that Fiona’s “forgetfulness” actually is Alzheimer’s Disease. After Fiona wanders away and is found after being lost, they agree she must go into a nursing home. For the first time in the five decades their relationship has spanned, they are forced to undergo a long-time separation since the nursing home has a “no-visitors” policy for the first 30 days of a patient’s stay, so they can adjust to their new surroundings. When Grant visits Fiona after the orientation period, he is devastated to find out that not only has she seemingly forgotten him, Fiona has transferred her affections to another man. The other man is Aubrey, a wheelchair bound mute patient at the nursing home. As the distance between husband and wife grows, Grant must draw upon his love for Fiona to perform an act of self-sacrifice in order to ensure her happiness. Written by Jon C. Hopwood

P.D. James’ novel Children of Men comes alive onscreen (albeit with a couple of major plot changes) via the masterful filmmaking of Alfonso Cuaron (Harry Potter and the Prisoner of Azkaban, Y Tu Mama Tambien). Cuaron skillfully weaves a fascinating story of nightmarish proportions by smoothly mixing high drama, dark humor, and one of the most riveting action sequences in recent history, into the tale of a dystopic society we can only hope is in no way prophetic.

Children of Men envisions a world in which women can no longer give birth. The youngest person on Earth has just died at the age of 18 and the fact that man will soon be extinct is a foregone conclusion. The world is one big war zone and no one feels safe or secure. A totalitarian government is in place in London and people who try to enter the country who aren’t residents are placed in holding pens and treated like cows.Theo (Clive Owen) exists in this world as an ex-activist-turned-bureaucrat. He begins most days by stopping in at a café to pick up his morning cup of coffee. But one particular day is unlike any others. Upon exiting the shop, a bomb goes off. Shortly thereafter, he’s kidnapped and reunited with his ex-lover, Julian (Julianne Moore in a restrained performance), a fearless, furious freedom fighter who needs help only Theo can provide.

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Harry Sanborn (Nicholson) is an aged music industry exec with a fondness for younger women like Marin (Peet), his latest trophy girlfriend. Things get a little awkward when Harry suffers a heart attack at the home of Marin’s mother Erica (Keaton). Left in the care of Erica and his doctor (Reeves), a love triangle starts to take shape. Written by Keanuette

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