If you’re attacked by a violent criminal bent on making your life a living hell, the first thing to do is call the cops. It doesn’t matter what you were doing, or who you were doing it to, at the time of the crime. Make the call. That’s the lesson learned by Clive Owen’s character in the thriller, “Derailed,” adapted from a James Siegel novel by Stuart Beattie (“Collateral”) and directed by Mikael Hafstrom.

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Cooper and Ed are brothers: Coop acts, in ads and soaps, spending his real energy chasing women for one-night stands. His younger brother Ed, an earnest young man, works in an ad agency. For the past year, since finding his girlfriend in bed with another man with a video camera running, Ed has been in a funk: he’s carried a torch, his social life has tanked, and his work has suffered. Ed will be fired on Monday unless he can save a major account. It’s his birthday weekend: he wants to work, but Cooper wants Ed to rediscover his sex life. Cooper works hard to help Ed score, but disaster piles on disaster. Can a decent guy save his job and get a life? Written by {jhailey@hotmail.com}