War threatens London as Miss Pettigrew, a destitute governess, filches a client’s card from her agency and presents herself at the door. A singer named Delysia Lafosse wants a social secretary as she seeks a West End role by sleeping with a feckless producer in the bed of Nick, a smarmy nightclub owner with whom she also dallies. She ignores Michael, her piano player, who loves her and has tickets for New York on the Queen Mary. Miss Pettigrew’s job is to make sure Delysia gets the part. Over 24 hours, Miss Pettigrew is also called upon to help an ambitious and unfaithful fashion editor patch things up with her older fiancé, a lingerie designer. Has Miss Pettigrew found her calling? Written by {jhailey@hotmail.com}

A guy starts a fake casting agency in hopes that he will meet his soul mate.

Some guys get all the luck, whether they like it or not. Chili Palmer (John Travolta) happens to be in Hollywood collecting a gambling debt when he’s struck by lightning (not literally). Called a natural for the movie business, he’s snagged up by a producer. The rest is history. Written by Joshua Davis {xtnb64a@prodigy.com}

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A man in a suit at a Manhattan firm leaves work on Friday; he looks unhappy. He stops at a fortune teller’s for a Tarot reading: “You are not where you belong,” she tells him. That evening he quits his marriage and walks the streets of New York, passing from a classy bar to a gentleman’s club, then to a high-class bordello, a mugging, a pawnshop, and a diner where someone does listen. He shares his insights with her and later with others. Violence, disappointment, and musings entwine as Edmond loses his moorings while believing he’s found them. Where does he belong? Written by {jhailey@hotmail.com}

Hollywood send-up. No-name actors are making a low-budget period drama called “Home for Purim,” when an anonymous post on the Internet suggests that one performance is Oscar-worthy. Then, two more cast members get Oscar-related press: buzz in “Variety” and appearances on TV prompt the studio executives to insist on changes in the script in anticipation of a blockbuster. Jump ahead a few months to the days before Oscar nominees are announced: just the possibility of a nomination has changed the actors’ lives. Agents, publicists, make-up artists, local celebrity reporters, and other bit players round out the backstage ensemble. Hooray for Hollywood! Written by {jhailey@hotmail.com}

An actor and would-be screenwriter, who at the very moment of his meeting with Fate, comes to discover that life is random and fortune is sightless. He is thrown into a vortex where time, dreams, and reality collide in an increasingly whirling slipstream. It’s a surreal and dreamlike tale of one man’s journey. Written by Gregg Brilliant

High-flying, adored! The film adaptation of the hit Broadway musical depicting the infamous real-life story of Eva “Evita” Duarte de Peron, the wife of President Juan Peron, who rose from poverty to become the most famous Argentine woman in history. Her huge political influence and constant charity works earned her scorn and fear from the military and upper classes but adoration and love from the workers and descamisados. Evita’s legendary life is displayed before your eyes as the most hated and most beloved woman in Argentina. Written by O.G.

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In 1660, with the return of Charles II to the English throne, theater, the visual arts, science and sexual intercourse flourish. Thirteen years later, in the middle of political and economical problems, Charles II asks the return of his friend John Wilmot, aka the second Earl of Rochester, from the exile to London. John is a morally corrupt, drunkard and sexually active cynical poet, and the King asks him to prepare a play for the French ambassador to make him pleased. John meets the aspirant actress Elizabeth Barry in the playhouse and decides to make her a great star. He falls in love for her, and she becomes his mistress; during the presentation to the Frenchman, he falls in disgrace in the court. When he was thirty-three years old, he was dying of syphilis associated to alcoholism and he converted to a religious man. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Sam Raimi and his co-writers Ivan Raimi and Alvin Sargent apparently adopted the more is better approach with what could be Raimi’s final film of the Spider-Man franchise. The desire to include more villains, more action, and more romance gave birth to a Spider-Man 3 bloated with unfulfilling storylines, underdeveloped characters, and a film that’s literally all over the place. It’s sort of fun, but not the Spider-Man film we’ve come to expect from Raimi and company.

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Mr. Bean enters a church raffle and wins a vacation trip to France as well as a camcorder. After boarding a Eurostar train and arriving in Paris, the French language proves a barrier for Bean, as he struggles to get across the city to catch a train to the south of France from the Gare de Lyon. Taking time to order a meal, he finds the consumption of a seafood platter to be a challenge. Just before catching his train, he asks Emil, a Russian film director on his way to be a judge at the Cannes Film festival to use his camcorder to record his boarding, but accidentally causes Emil being left behind at the station. Bean attempts to cheer up the director’s son Stepan as the train continues south but matters are made more hectic by the fact that Emil has reported his son to have been kidnapped and Bean losing his wallet and essential travel documents at a pay phone where he and Stepan attempt to contact Emil. Heading in the direction of Cannes, Bean finds himself in the cast and disrupting the flow of a commercial being shot by the egotistical director Carson Clay. He and Stepan finally hitch a ride with the young and vivacious actress Sabine who is heading to Cannes to attend the premiere of Clay’s film, in which she appears. After Bean sneaks into the showing, his camcorder images are destined to enliven the proceedings. Written by Brian Greenhalgh