Jude Law charms his way through this updated version of the classic 1966 Michael Caine film, “Alfie.” And it’s solely Law’s charisma and the edgy, bad boy quality he brings to this remake that makes this “Alfie” watchable.

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In 1964, a brash new pro boxer, fresh from his olympic gold medal victory, explodes on to the scene, Cassius Clay. Bold and outspoken, he cuts an entirely new image for African American’s in sport with his proud public self confidence with his unapologetic belief that he is the greatest boxer of all time. To his credit, he sets out to prove that with his highly agile and forceful style soon making him a formidable boxer who soon claims the heavyweight championship. His personal life is no less noteworthy with his allegiance to the Nation of Islam, his friendship with the controversial Malcolm X and his abandonment of his slave name in favour of Muhammad Ali stirring up controversy. Yet, at the top of his game, both Ali’s personal and professional lives face the ultimate test with the military draft rules are changed, making him eligible for military induction during the Vietnam War. Despite the fact that he could easily agree to a sweetheart deal that would have meant an easy tour of duty for himself, Ali refuses to submit on principle to cooperate in an unjust war for a racist nation that treated his people so poorly. The cost of that stand is high as he finds himself unable to legally box in his own country while his case is contested in court. What follows is a battle for a man who would sacrifice so much for what he believes in and a comeback that would cement his legend as one of the great sports figures of all time. Written by Kenneth Chisholm {kchishol@rogers.com}

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The crook Ray Elliot, whose former partner Jack is under a five million dollars contract, believes in statistics and runs a risk assessment and managing business, actually a front for a company that provides alibis to adulterous people that cheat their mates. He does not accept to give alibis for crimes and he has just hired the alluring Lola to be his assistant. When Wendell Hatch, the reckless son of his wealthy client Robert Hatch, accidentally kills his masochist date Heather in a kinky S&M game, Ray breaks his rules to protect his own name and hire some guys to clean the bedroom and vanish the body. Sooner Ray has many problems to resolve: the police is in his tail trying to find a clue about the disappearance of Heather; her jealous Mexican-American boyfriend wishes revenge against the murderer; Wendell is upset because Ray told his father about the crime; Robert is angry and hires the hit-man Mormon to kill Ray, but the killer spares him to chase Jack. When the jealous Mormon sees his wife Adelle flirting with Ray, he decides to kill him. Without any option, Ray joins his crook-friends to help him to resolve the situation. Written by Claudio Carvalho, Rio de Janeiro, Brazil

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Rykker is an intergalactic warrior trapped on Earth, destined to fight a gang of ruthless aliens known as The Syndicate. The syndicate is an alien fifth column plotting to take over the world. The film opens with a spectacular highway chase, as Rykker liquidates several syndicate agents. Saylon is a top syndicate leader who comes from outer space and crash-lands on Earth. His mission to build a wormhole link between Earth and the alien planet - a portal - making possible a full-scale invasion of the Earth. Isis is the sexy and ruthless leader of the syndicate on Earth. While launching a robbery spree to steal the spare parts necessary to build the portal, Isis becomes hell bent on destroying Rykker and clearing the way for Saylon’s master plan. Julie is a fifteen year old who’s family is murdered During the hijacking of a truck carrying material for the portal. Julie left totally alone in the world, Seeks vengeance on the killers. Rykker also seeks to find them. He must stop them before they complete the portal and flood the world with alien scum. Julie and Rykker are thrown together by tragic circumstance. They hook up - actually, she follows him against his will; he tries and tries to ditch her, but she keeps popping up, even saving his life at one point - and embark on a cross country journey, with Isis and an army of syndicate killers in hot pursuit. The final showdown, inside a nuclear reactor, is a balls to the wall action climax, as Rykker and Julie battle Isis, Saylon and their army of killers, and try to prevent the portal from opening a rein of destruction upon Earth. Written by Fries Film Group

After escaping from the alien planet, the ship carrying Ellen Ripley crashes onto a remote and inhabited ore refinery. While living in the ore refinery until she is rescued by her employers, Ripley discovers the horrifying reason for her crash: An alien stowaway. As the alien matures and begins to kill off the inhabitants, Ripley is unaware that her true enemy is more than just the killer alien. Written by Kerwin Tsang {kertsang@yahoomail.com}

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When a casino owning dog named Charlie is murdered by his rival Carface, he finds himself in Heaven basically by default since all dogs to heaven. However, since he wants to get back at his killer, he cons his way back to the living with the warning that doing that damns him to Hell. Once back, he teams with his old partner, Itchy to prep his retaliation. He also stumbles on to an orphan girl who can talk to the animals, thus allowing him to get the inside info on the races to ensure his wins to finance his plans. However, all the while, he is still haunted by nightmares on what’s waiting for him on the other side unless he can prove that he is worthy of Heaven again. Written by Kenneth Chisholm {kchishol@execulink.com}

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Penny’s love for her partner, taxi-driver Phil, has run dry. He is a gentle, philosophical guy, and she works on the checkout at a supermarket. Their daughter Rachel cleans in a home for elderly people, and their son Rory is unemployed and aggressive. The joy has gone out of Phil’s and Penny’s life, but when an unexpected tragedy occurs, they are brought together to rediscover their love. All or Nothing is set on a London working-class housing estate over a long weekend, and also tells the stories of a range of Phil and Penny’s neighbors, some of whom become involved in the family’s lives, and all of whom experience an emotional journey. Written by Press kit

Martin Freeman plays Chris, a frustrated TV producer who is forced to leave his unreliable flatmate Bob played by Velibor Topic in charge of showing a series of real estate agents around the house he is trying to sell. Worried by Bob’s habit of spending all day working in the basement playing loud music, Chris asks his friend to listen out for the door bell and show anyone who comes calling inside. Bob promises to do exactly that and for once, not to let him down. Over the course of the day, whilst Chris struggles to cope with his insane TV presenter colleague Jerry, played by Richard Harrington - back at the house it is soon clear that bonkers Bob is taking his promise to Chris rather too literally. Bob has indeed, allowed anyone inside, including a couple of gun-toting gangsters - an incompetent young Brit played by Danny Dyer and an incontinent American played by Corey Johnson. That evening, Chris is surprised to return home and find his flatmate, four estate agents, two Jehovah’s Witnesses, a corpse and a terrified children’s entertainer in what remains of his flooded kitchen. Of course, a roomful of water and broken furniture doesn’t mean the end of the world - but the half-crazed American sitting outside the toilet with a gun, just might. Written by Kathryn Donovan

1999, Claremont, California. Middle-class kids, in their 20s, talk trash, wave guns, hang out in a pack. Johnny Truelove, drug dealer and son of a underworld figure, threatens Jake Mazursky, an explosive head case who owes Johnny money; Jake responds by breaking into Johnny’s house. On impulse, Johnny and a couple pals kidnap Jake’s 15-year-old brother, Zach. Zach’s okay with it, figuring his brother will pay the debt soon. Johnny assigns his buddy Frankie to be Zach’s minder, and they develop a brotherly friendship. Zach parties with his captors as things begin to spin out of control. Group think, amorality, and fear of prison assert a hold on the pack. Is Zach in danger? Written by {jhailey@hotmail.com}