Genres: Crime | Drama | Thriller Countries: UK Actors: Malcolm McDowell Alexander 'Alex' de Large Patrick Magee Mr. Alexander Michael Bates Chief guard Warren Clarke Dim John Clive Stage actor Adrienne Corri Mrs. Alexander Carl Duering Dr. Brodsky Paul Farrell Tramp Clive Francis Lodger Michael Gover Prison governor Miriam Karlin Catlady (Miss Weathers) James Marcus Georgie Aubrey Morris Mr. P. R. Deltoid Godfrey Quigley Prison chaplain Sheila Raynor Mum Directors: Stanley Kubrick IMDB Rating: 8.5 out of 10 (137192 votes)

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Alex and his three droogs, live in a futuristic Britain void of proper law and civil protection. They do drugs, drink, skip school, and wreak havoc during the night. They beat up an old drunkard, steal cars, rape helpless women, and start gang fights in the streets. Alex, being a rather arrogant leader, is rude and disrespectful towards his other droogs, and because of this they plot behind his back against him. In their plan to rob a woman on the outskirts of town, Alex enters the house alone to unlock the door for the other. When confronted by the owner of the house he strikes her in the head in attempt to knock her out. Meeting his droogs outside he is met with a bottle being smashed over his own head, stunning him long enough for the cops to finally arrive and arrest him. It turns out the woman he struck inevitably ended up dieing from the blow and Alex now finds himself with a 14 year prison sentence. In hopes of severely shortening his sentence, Alex signs up for a new breakthrough treatment that “cures” criminals of their want to do evil. The Ludovico treatment, as it is called, consist of Alex living a very high lifestyle while twice daily being subjected to gory and hateful films full of all that is considered wrong and evil. Part of Alex’s diet contains a special drug that causes him to slowly get sick as he is forced to watch these films. After a short period of time he is shown as being cured and when, in front of a small audience, he is subjected to another bullying man and a beautiful woman, he is unable to fight back or do what he would like to do, and instead is utterly paralyzed with sickness. The process stripped him not only of his evil, but more importantly and symbolically stripped him of his right to think and be free and live the life he wishes to. After being released from prison and kicked out of his home he is taken in by small group of people who want to get Alex’s pitiful story out to the public to attempt to harm the current regime in time for the next election. During this process, Alex attempts suicide and fails, but because of this the doctors of the original Ludovico treatment set out to cure him. Alex awakes from his coma cured of the sickness and is finally able to think and do what he wishes again. Written by Walker Parkhill

In a futuristic Britain, a gang of teenagers go on the rampage every night, beating and raping helpless victims. After one of the boys quells an uprising in the gang, they knock him out and leave him for the police to find. He agrees to try “aversion therapy” to shorten his jail sentence. When he is eventually let out, he hates violence, but the rest of his gang members are still after him. Written by Colin Tinto {cst@imdb.com}

In the not-too-distant future, a charming young sociopath named Alex, leads a nihilistic lifestyle of ‘ultraviolence’ which comes to a head when he is jailed for murder and volunteers for an experimental brainwashing treatment to reform criminals in exchange for a shorter prison sentence. Written by Denny Gibbons

Alex, a teenage hooligan in a near-future Britain, gets jailed by the police. There he volunteers as guinea pig for a new aversion therapy proposed by the government to make room in prisons for political prisoners. “Cured” of his hooliganism and released, he is rejected by his friends and relatives. Eventually nearly dying, he becomes a major embarrassment for the government, who arrange to cure him of his cure. A pivotal moment is when he and his gang break into an author’s home: the book he is writing (called “A Clockwork Orange“) is a plea against the use of aversion therapy, on the grounds that it turns people into Clockwork Oranges (Orang is Malay for “Man”): they are not being good from choice (sentiments later echoed by the prison chaplain). The film reflects this: many bad scenes in a Clockwork Orange are accompanied by jolly music; if we are to experience them as we should, we have to do it consciously, by realising they are bad, and not because the director tells us so through the use of music and images. Written by Steven Pemberton {Steven.Pemberton@cwi.nl}

Stomping, whomping, stealing, singing, tap-dancing, violating, Derby-topped teddy-boy hooligan Alex (Malcolm McDowell) has his own way of having a good time. He has it at the tragic expense of others. Alex’s journey from amoral punk to brainwashed proper citizen forms the dynamic arc of Stanley Kubrick’s future-shook vision of Anthony Burgess’s novel. Unforgettable images, startling musical counterpoints, the fascinating language used by Alex and his pals - Kubrick shapes them into a shattering whole. Hugely controversial when first released, A Clockwork Orange won the New York Film Critics Best Picture and Director honors and earned four Academy Award nominations, including Best Picture. The power of its art is such that it still entices, shocks, and holds us in its grasp. Written by Jenna Quaranta

Alex, a violent juvenile in the near future, is caught after a number of brutal rapes and murders. While imprisoned, he submits to a controversial experiment to make criminals ill at the mildest suggestion of violence or conflict. Now Alex’s victims want to welcome him back into society with the same enthusiasm Alex had always exhibited when performing his crimes. Written by Tim Kretschmann {Tim.K@VirComm.com}

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