Genres: Action | Adventure | Comedy | Horror | Sci-Fi Countries: USA Actors: Ron Perlman Hellboy John Hurt Trevor \'Broom\' Bruttenholm Selma Blair Liz Sherman Rupert Evans John Myers Karel Roden Grigori Rasputin Jeffrey Tambor Tom Manning Doug Jones Abe Sapien Brian Steele Sammael Ladislav Beran Karl Ruprecht Kroenen Biddy Hodson Ilsa Corey Johnson Agent Clay Kevin Trainor Young \'Broom\' Brian Caspe Agent Lime James Babson Agent Moss Stephen Fisher Agent Quarry Directors: Guillermo del Toro IMDB Rating: 6 out of 10 (36951 votes)

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I’ve issued this disclaimer many times before (“Spider-Man,” “The Hulk,” and “League of Extraordinary Gentlemen”) but reiterating it one more time can’t hurt: I don’t know anything about comic books. Therefore, as with my other reviews of movies based on that source, I’m reviewing “Hellboy” without any background knowledge of the story or the characters. I’m reviewing the film as a “Hellboy” virgin.

While I’m being totally honest, I should also say I didn’t have high expectations for “Hellboy.” Sure, I like Ron Perlman. But as a big red guy with shaved horns and a huge arm? I don’t know – I just didn’t get it. As so often happens, it’s the movies you expect very little of that are surprisingly entertaining. Such is the case with “Hellboy.” The preconceived ideas I had went flying out the window during the first 20 or so minutes of watching the film. This is one heck of a fun ride – even for non-comic book aficionados like me.

“Hellboy” begins with a flashback to Hellboy’s arrival on Earth. The evil Nazis (always dependable bad guys) are trying to unleash hellish creatures on an unsuspecting planet. Grigori Rasputin (Karl Roden) leads the group with his beautiful subservient follower, Ilsa (Bridget Hodson), prepared to bring him back to life should something go wrong. Watching his back is the deadly assassin, Kroenen (Ladislav Beran). Meanwhile, the good guys (American soldiers) following the instructions of Dr. Broom, break up Rasputin’s little party but not in time to stop one creature from coming to Earth. Hellboy arrives as a bright red, devilish-looking CGI baby and bonds with Dr. Broom over Baby Ruth bars.

Fast forward 60 years to modern times. Hellboy (Perlman) is now part of a top-secret government organization known as the Bureau for Paranormal Research and Defense (B.R.P.D.). Together with Mer-Man Abe Sapien (Doug Jones), a cool-looking creature who reminded me a lot of a human-size version of those sea monkeys you used to be able to get via mail order, Hellboy battles the forces of evil. As Dr. Broom says, “Make no mistake about it, there are things out there that go bump in the night. We’re the ones who bump back.” I just love that line.

I got the feeling that once the characters were established, the plot itself was secondary. Hellboy takes on these weird dog/walking octopus-looking creatures while chomping on a cigar, displaying a keen wit, and firing off verbal shots loaded with sharp humor. Rasputin returns to try and get Hellboy to take a walk on the dark side. Hellboy’s love and fellow freak – for lack of a better word – Liz Sherman (Selma Blair), tries to harness her pyro-kinetic skills. And Hellboy keeps everyone jumping as he does what he wants, when he wants.

“Hellboy” is a great example of a movie coming together because of a director being on the exact same page as his lead actor. Writer/director Guillermo del Toro (“Blade 2”) fought to cast Ron Perlman in the title role, and his insistence paid off. Perlman gives a flawless performance. He appears comfortable in the Hellboy get-up, and what’s more – he seems to actually be having fun with the character. I really can’t imagine anyone else in the role.

The fact you’re able to forget you’re looking at actors inside make-up and heavy costumes and instead focus on their humanity is a credit to the entire cast. Selma Blair, Doug Jones, John Hurt (Dr. Broom), Karl Roden, Ladislav Beran, Jeffrey Tambor, and Rupert Evans (cast as Hellboy’s rookie babysitter, John Myers) are all terrific in supporting roles. Everyone takes the project seriously and there’s no overt winking at the camera, thank goodness.

As for the special effects, the only time I felt the CGI wasn’t effective was in the beginning of the film when Hellboy arrives on Earth. The baby version of Hellboy is the only time in the movie where the effect was noticeable and distracting. Otherwise, “Hellboy’s” CGI effects are first-rate, blending live-action and effects so seamlessly the two are tough to differentiate.

I’m looking forward to “Hellboy 2,” something I never in a million years thought I’d hear myself admit. Fast-paced, beautifully shot, accessible to people with no prior knowledge of the characters, and loaded with humor, “Hellboy” now ranks right up there with “Spider-Man” as my favorite movie based on a comic book.

Rebecca Murray
Hollywood Movies Guide

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