Fantastic Four (2005)
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Storyline
Taglines:
| 1: 4 times the action. 4 times the adventure. 4 times the fantastic. |
| 2: Prepare for the fantastic. |
Plot Summary:
Between “X2,” “Spider-Man 2,” and “Batman Begins” I was almost convinced that I’m a closet comic book movie fan. Then “Fantastic Four” came along and knocked some sense into me.
I’m not a closet comic book movie fan; I’m a fan of good movies - no matter the source material. And on the opposite side of that coin, I dislike having to sit through movies that come unglued an hour into the production, whether they are comic book adaptations or a retelling of a classic Jane Austen piece.
“Fantastic Four,” for all of its super effects and glossy finish, is a hollow movie experience. It’s kind of pretty to look at but there’s just not that much going on beneath the surface, which sort of reminds me of some Hollywood stars, but I digress.
The story as laid out in the film version of the “Fantastic Four” follows Reed Richards (Ioan Gruffudd), a brilliant but broke scientist and his good buddy Ben Grimm (Michael Chiklis) as they go against everything they know is right and ask Victor Von Doom (Julian McMahon) for help with an experiment that’s sure to make them all rich and famous – or even wealthier and more famous in the case of Von Doom.
The backstory that’s quickly laid out in the opening moments of the film lets us uninitiated “Fantastic Four” viewers in on the secret that Von Doom’s beautiful assistant, Sue Storm (Jessica Alba), once had a relationship with Richards before determining that he was just like most men (yes, that’s a snide remark but I couldn’t resist). Reeds spoke without thinking and didn’t pay enough attention to their relationship so now she’s moved on to the handsome Von Doom, a narcissistic businessman who in all honesty cares for her less than he cares for his mirror. I’m dwelling on the relationship aspect of the storyline as that’s basically what the film’s all about. Sure there are special effects, and there’s the requisite bad guy who needs to be dealt with, but the movie’s really all about the relationships between the members of the Fab Four…I mean Fantastic Four.
Sue and her pilot/GQ model-type brother Johnny (Chris Evans) fight like cats and dogs, Richards’ sidekick Ben and Johnny have what can only be described as a hate-hate relationship, Reed and Sue have a history that’s a major speed bump when they have to deal with one another, and Von Doom (not a member of the ‘Four’ but an insider nonetheless) and Reed dislike each other mainly because of Sue.
So what’s the point of the film? Even after sitting through it I’m not sure. “Fantastic Four” spends 30 or so minutes really setting everything up and then another half an hour letting the five main characters adapt to the changes their bodies have undergone during a freak storm in space. Sue becomes invisible, Johnny turns into a huge fireball at will, Reed transforms into a bendable buddy, Ben gets the raw end of the deal and becomes a giant rock monster called The Thing, and Von Doom turns into metal (there’s more to it than that but you get the point). Once the movie hits the midpoint and the superheroes and Von Doom start to deal with their new abilities, the film loses momentum and the story falls apart. No one really wants their powers, the bad guy isn’t as intriguing – or even as evil – as the villains featured in most comic book movies, and other than a few lively bits of comic relief courtesy of Evans, the dialogue is dull and wimpy – more yawn-inducing than anything.
As for the effects and the acting, we’ve seen much, much better in both categories. This felt like a throwback to the mid ’90s style of effects and honestly there’s no logical reason this shouldn’t have wowed us. The technology is there, other films have effectively used it, but “Fantastic Four” gave us old-style ‘invisible’ scenes and hokey fight sequences. And only Michael Chiklis, Chris Evans, and to some extent Julian McMahon emerge from this unscathed as far as their acting reps go. Jessica Alba’s pretty but one-dimensional (it could have just been the material, we’ll give her the benefit of the doubt) and Ioan Gruffudd is out of place and totally unbelievable as Mr Fantastic. And don’t get me started on the obvious age differences of the three involved in the love triangle.
I know I’ll get hate mail for this but I’d rather my superhero movies feature either characters who are horribly tormented or who accept and embrace their superhero qualities. The middle of the road path “Fantastic Four” treads doesn’t cut it. In all fairness, maybe that’s straight out of the comic book so it was necessary for the film to take that direction. But whether or not that’s true doesn’t really matter as the result is a very tedious experience. The four ‘heroes’ spend more time arguing with each other and using their newfound super powers against one another than is really necessary. If it was done to setup the characters and prepare the audience for a sequel, it didn’t work. I don’t want to see another “Fantastic Four” movie. One is more than enough, thank you very much.
Rebecca Murray
Hollywood Movies Guide
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